Updated: 12/1/02; 12:36:19 AM.

'if'...
. . . is neither a watcher nor a dreamer. . . does not reflect life , but doesn't escape or withdraw from life either: swallows it. And the imagination won't stop until it's swallowed everything . . . to a world where nothing is outside the human imagination . . . - Northrop Frye

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Wednesday, November 13, 2002
> Heaney
Nobel Lectures-Literature 1995

". . .And it is by such means that Yeats's work does what the necessary poetry always does, which is to touch the base of our sympathetic nature while taking in at the same time the unsympathetic nature of the world to which that nature is constantly exposed. The form of the poem, in other words, is crucial to poetry's power to do the thing which always is and always will be to poetry's credit: the power to persuade that vulnerable part of our consciousness of its rightness in spite of the evidence of wrongness all around it, the power to remind us that we are hunters and gatherers of values, that our very solitudes and distresses are creditable, in so far as they, too, are an earnest of our veritable human being."
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jenett.radio.simplicity.1.3R


A picture named manray.gifThoughts, wrote Nietzsche, are shadows of our feelings: always darker, emptier, and simpler than these. And the written word, it strikes me, is but a shadow of our thoughts.

Proust wrote: "The only true voyage of discovery, the only really rejuvenating experience would not be to visit strange lands, but to possess other eyes, to see the universe through the eyes of another, of a hundred others, to see the hundred universes that each of them sees."


"In everyday life 'if' is an evasion, in the theatre 'if' is the truth. In everyday life 'if' is a fiction, in the theatre 'if' is an experiment." Peter Brook -- The Empty Space


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