I've had dealings with crazy persons. When I describe them to sane persons, I get questions. Often they start with, "Is the reason they did that because . . . ?"
There can never be satisfactory answers to such questions! They assume something which isn't true, which is an oxymoron: that crazy folk reason like sane folk. Yet the very definition of 'crazy' is that it is not reasonable as sane folk define reasonableness. It connotes irrationality, too: that the chain of events which sane persons call causality, is messed up.
A person is called crazy because she doesn't have 'reasons' the way a sane person would have them; and because a crazy person's 'becauses' are broken, by the standards of the sane.
You may have noticed that I've been careful to describe 'crazy' relative to what 'sane' means. That I say this doesn't mean that I believe that crazy persons aren't really crazy, or that sanity and madness are really equal, that it's all a matter of your point of view.*
In my experience, crazy people are, for the most part, very nasty characters. They'll hurt you if they get the chance. Whenever I come across a crazy person, I get right away.
There are sweet exceptions, of course, and they're the ones who get all the press: heartwarming reading.
*A popular art-house movie of the 1970s, Philippe de Broca's KING OF HEARTS, suggested that a crazy person was a kind of clown, joyous, and harmless. Such unrealistic portrayal is possible in middle-class societies which discreetly put crazy persons away in 'asylums' or 'mental hospitals'. If crazy folk lived at home, audiences might not cotton to notions of them as cute or affable.
Although A BEAUTIFUL MIND demonstrates its protagonist's madness with a parable of madness rather than a portrayal of it, it has the virtue, at least, of showing it to be unpleasant, which it is.
Star Power is Turned On to Promote a Film Festival. Robert De Niro and a slew of big-name actors are involved in extensive marketing efforts to promote the inaugural TriBeCa* Film Festival.
By Allison Fass. [New York Times: Movies]
Great Brains Fight Illness, and One Another, in a Lab. Something of a formula seems to be taking hold in the writing of plays about science, and you can feel it at work in "The Secret Order."
By Neil Genzlinger. [New York Times: Arts]