A. O. Scott’s review of Revenge of the Sith in the New York Times is fun to read:

This is by far the best film in the more recent trilogy, and also the best of the four episodes Mr. Lucas has directed. That’s right (and my inner 11-year-old shudders as I type this): it’s better than “Star Wars.”

“Revenge of the Sith,” which had its premiere here yesterday at the Cannes International Film Festival, ranks with “The Empire Strikes Back” (directed by Irvin Kershner in 1980) as the richest and most challenging movie in the cycle. It comes closer than any of the other episodes to realizing Mr. Lucas’s frequently reiterated dream of bringing the combination of vigorous spectacle and mythic resonance he found in the films of Akira Kurosawa into American commercial cinema.

…

“This is how liberty dies - to thunderous applause,” Padmé observes as senators, their fears and dreams of glory deftly manipulated by Palpatine, vote to give him sweeping new powers. “Revenge of the Sith” is about how a republic dismantles its own democratic principles, about how politics becomes militarized, about how a Manichaean ideology undermines the rational exercise of power. Mr. Lucas is clearly jabbing his light saber in the direction of some real-world political leaders. At one point, Darth Vader, already deep in the thrall of the dark side and echoing the words of George W. Bush, hisses at Obi-Wan, “If you’re not with me, you’re my enemy.” Obi-Wan’s response is likely to surface as a bumper sticker during the next election campaign: “Only a Sith thinks in absolutes.” You may applaud this editorializing, or you may find it overwrought, but give Mr. Lucas his due. For decades he has been blamed (unjustly) for helping to lead American movies away from their early-70’s engagement with political matters, and he deserves credit for trying to bring them back.

The Hubble Space Telescope marks fifteen years of service.