Mike Snider's Formal Blog and Sonnetarium :
Poems, mostly metrical, and rants and raves on poetry and the po-biz.
Updated: 1/24/06; 9:57:44 PM.

 

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Tuesday, January 28, 2003

Here's Sam Gwynn's reply to my apology:

In a message dated 1/28/2003 6:31:44 PM Central Standard Time, mandolin@mac.com writes:

Worse, I posted it to make political rather than poetic points, knowing you had made at least one major revision which I couldn't put my hands on in my stupid hurry, and I called it to the attention of the blogger  with whom I was irritated, and now there are people arguing about it.

Well, the poem was intended primarily to make a political point.  I was at Lamar in the late 70s during the Iran-hostage crisis, and at the time we had a lot of Iranian students who came under considerable duress from members of the student body; at the same time, almost anyone with suspiciously dark-colored skin suffered some of the same insults.  I have two friends (one Iranian and one Syrian) who remember that time, and I wanted to say something about how I hoped there wouldn't be a similar backlash after 9/11.  Mercifully there wasn't--some isolated incidents around the country but no burning and looting of stores owned by Middle Easterners, etc.  It's true that the poem was a sonnet, but it wasn't much more than a versified account of a blend of two conversations with the guys I mentioned above.  I don't think it's much of a poem; the last line is just a flat-out cliche, but sometimes the cliche holds a lot of truth.

So, I have no trouble with your having posted the poem (and any others), and I encourage you (if you're willing) to restore the poem (not "September 13, 2001" as originally titled but in its present version known as "9/12." It was published in the Evansville Review last year.  I'd also be interested in hearing about the comments it received.

It is true, by the way, that I am a member of the NRA, as well as of the Democratic Party.  I see serious flaws in the policies of both, but I prefer to work from the inside rather than the outside.  I support the rights of responsible citizens to bear arms, and I honor the paradox of those who vote, as I do, straight ticket,  while still resisting many things that we find abhorrent.  Do I contradict myself?  Very well, I contradict myself.  A formalist poet who reveres Walt Whitman as the best we have produced is bound to have a few contradictions.

You may post this reply if you wish.  Thanks for letting me know about your blog.

I'm looking for a good copy of the poem in order to repost it.


11:13:20 PM    comment: use html tags for formatting []  trackback []

I almost feel like picking another fight, this time with Ron Silliman over his remarks today and here, but I think I'll just point you here and let Wendy Cope have a word.
8:39:03 PM    comment: use html tags for formatting []  trackback []


Kasey Mohammad has posted a polite reply to my rant. Go read it. I can hardly argue with his characterization of a poem which I have since pulled from this site, but I'm going to reply to him privately on that subject. About Eratosphere: there's some silliness everywhere, and Kasey found some. But I'd direct his and your attention to these threads (here and here) where there is a good deal of very intelligent and learned wrestling (and some bumbling by me) with the relationship of meter to rhythm and with loose iambics, respectively.


7:57:34 PM    comment: use html tags for formatting []  trackback []

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