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Tuesday, September 28, 2004
 

The October issue of Wired has an oustanding article called, "The Long Tail" by Chris Anderson (it isn't available online yet). It is about the economics of "misses" rather than "hits". It talks about how much money there is to be made in niche markets and cites Amazon and Netflix is prime examples. "The average Blockbuster carries fewer than 3,000 DVDs. Yet a fifth of Netflix rentals are outside its top 3,000 titles." Rhapsody, an online subscription music service is also given as an example. Every title in Rhapsody's top 100,000, 200,000, 300,000, and 400,000 gets downloaded at least once a month. The article argues that because these retailers are not constrained by physical space, they can offer unlimited selection. This means their offering can be tailored to the likes and dislikes of every consumer and we get to explore our true tastes rather than having them fed to us by marketing machines.

People are going deep into the catalog, down the long, long list of available titles, far past what's available at Blockbuster Video, Tower Records, and Barnes & Noble. And the more they find, the more they like. As they wander further from the beaten path, they discover their taste is not as mainstream as they thought (or as they had been led to believe by marketing, a lack of alternatives, and a hit-driven culture)...For too long we've been suffering the tyranny of lowest-common-denominator fare, subjected to brain-dead summer blockbusters and manufactured pop.

As online collections become more vast, and delivery becomes less of a problem, I'm reminded of a Stephen Wright joke which goes something like, "I have a large sea shell collection which I keep scattered on the beaches all over the world." At some point, my CD collection is really composed of slices of the World's CD collection. I'll pay to access it as much as I want. My iRiver becomes an edge-of-network server, cacheing what I listen to most frequently for easy access.

7:49:58 AM    


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