Interview to PAUL: The Big Tit Artist!
How old were you when you got into huge breasts? Who were some of the girls that got you pumped, and why?
Pauly: I was in the 7th grade in Buffalo New York, my hometown. I had a substitute teacher for two days who had the biggest breasts and as we Italians say, I was struck by the thunderbolt! Then I used to sneak peeks at the old titty mags back then like "Fling" and Uschi Digart and Candy Samples were the ones who made my young dick extend! I loved their attitude that said "I have BIIIG TITS and I want men to look at them and jack off!"
When did you begin developing your art? Tell us about your background in art.
Pauly: I am really mostly untrained in the classic sense. I had a great art teacher in high school who opened my mind to surrealism, which allows you to think with no boundaries, what you would call today 'thinking outside the box.' As far as development, it was nude girls immediately, starting with a busty brunette that I saw in Gent when I was 17. Big brown eyes and black hair, great curves, huge tits. I don't remember her name. Then I would do all these surrealistic things, working in busty girls wherever I could. Probably explains why I never became famous with the art galleries! All those drawings are on my site.
Do you go to strip clubs? Which ones? Is it hard to find busty strippers? How much time do you spend in strip clubs?
 Pauly: I don't go to strip clubs anymore, but I did in the past. The reason I never became a busty gal photographer fulltime is I couldn't afford the models so going to strip clubs meant losing big money. I did have a few models who worked with me for free and you can see them, at Paulyarts.com, my busty art and photo site.
How do you work? Do you ever hire models and then embellish their bust size? Where do you get your inspiration from?
Pauly: Inspiration comes from seeing girls in public who HUGE TITS and I want to ask them to pose and I never do because I figure they'll think I'm a jerk so I go home and paint a pose I remember, having watched some beautiful creature reach for a blouse or a necklace. As far as how I create, I do it all from photos I took or parts of photos from SCORE magazine, as I don't buy anything else. A hot leg here, an arm there...but I know a woman's anatomy so well that I mostly just invent it all!
Name some of your most favorite SCORELAND models.
Pauly: Anything with my buddy Vanessa Montagne, SaRenna Lee, Sharday. I loved the cover shot from August '96 SCORE, the issue my story "The Diary of Janie Pratt" was in. It's the story of a tomboy who blossoms through exercise and surgery and blows all the guys away, only to find she's a bisexual who loves big tits and women who love big tits! My favorite theme!
Who are your own favorite artists of busty women and why?
Pauly: Otis, of course. I grew up on him, as well as Vargas (who didn't paint huge tits but I enhance them in Photoshop for my own fun and make them huge the way I always wished he did!). Mainly because they understand sensuality, sexuality, as opposed to pure glamour. You can really inject sex into a picture if you know a little psychology. I must admit it was more fun in the past when sexuality was hinted at, like a girl about to suck another girl's big breasts, not showing all the details, like the movie "Alien", which was more hints of the creature than all the terrible damage it did. That inch or two of space between the tongue-tip and the very engorged nipple was for me all of life in a frozen spot, that once unfrozen would result in the girl's nipple being swallowed whole and the tongue would begin sliding around it and giving it little bites while the worshipper's fingers would be sliding in between her wet lips to finger her...meanwhile, the girl with those big boobs was surrendering to the tongue of the other woman, all life coming to a standstill for her as well.
What medium do you mostly work in? How do you create your art?
 Pauly: I used to work solely in pencil which was tedious but very beautiful in the final stage. However, I can create things in Photoshop in seconds that I see in my head, plus the intense color, so that's it for me. I work in hundreds of layers which allow me to continually re-compose and perfect things like the light, which is the most important step after anatomy. I might have alyer that is a single highlight on a girl's thigh for example. It's how they do the incredible reality of films like "Shrek" or "Finding Nemo." I stylize and light and shape and perfect. I just started doing these nudes in January of '03, but I'm getting better every day!
When did you go computer?
Pauly: As opposed to the way Otis works with airbrush where one must use frisket paper and cut positive and negative spaces and strain paint and all this bullshit, I just can't deal with it, I'm too fucking fast. My hat's off to him because I know the hours I put in with pencil. But damn! The visions you see in your head can all be realized with the computer paint programs and that is NOT to say that I use automated or pre-existing material or patterns. To use Photoshop properly, you have to remain true to art and use only the tools that are creative, not fake-out stuff. But if you wanted to invert part of a piece to negative just to see what it looks like, you'd have to paint that for weeks, so there are some automation tools that are handy. I draw in the computer with a tool called the Polygon Lasso, which involves clicking points with the mouse and that can add up to thousands of clicks in a piece. I have some tutorials I wrote on creating naked woman art and using Photoshop.
Are huge breasts any easier or more difficult to draw than any other part of the body?
Pauly: For me, I am such a fiend for big tits that when I pass a woman who does not have them, my personal mantra is "No Tits" and I move on. So anyone with that kind of a fetish has no problem drawing or designing because the hours just melt away and when the creature appears there in front of me from my own hand/imagination, I am captivated. But I will say that the human body is the most difficult thing to draw as we all know what it's supposed to look like and can spot problems easily. The female breast is a problem as much as the eyes...it can have many shapes, but there are few that are attractive to just anyone...I design my girl's tits to be attractive to women. In fact, I design all my works, with few exceptions, to be attractive to women, not men! Men like anything, but the true test is to have a woman review the works and say, 'well, it doesn't turn me on, but it's beautiful.'
Years back, the mens magazines were loaded with breast-oriented cartoons. Should we bring them back or would you rather see the space be used for photos?
 Pauly: Art! Photography is wonderful, but you can't do anything other than keep the focus and lighting correct. Cartoons are cool, but I would rather see single pieces of art by other big tit artists, no one does that, no funny captions needed, just guys or girls who are devoted to wild visons of Big Titted women! Ricky Carralaro, I think his name is, he's a monster! There's just more you can do with computer-enhanced/altered photos/art than you can with photos in the end, like expensive sets that could never be built for some model, like a moonlit balcony with fireflies illuminating the breasts, or my forest scene with the winged creature that looks like it's out of Lord of the Rings.
Your work is more oriented towards artificial breast-expansion-the super-fantasy tits (fake boobs) - than the natural-chested models. Is that correct? What big naturals do you like?
Pauly: I definitely create women that are such a rarity in real life that you see one every eight months or so...girls that make you freeze in your tracks and just stare to record the vision in your head because sadly she will soon be gone. Last night was my most recent sighting and it was about eight months ago that I saw this girl who could've been world-famous! As far as naturals, if Ines Cudna is a natural she's got my vote, Yulia and the dream of all time, Nadine Jansen!
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Entire interview could be found in Scoreland.com. Preview Scoreland models and Scoreland website.
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