Cowboy Goth Burlesque. Weimar, Mississippi. Cabaret Cabeza Da Vaca. I ask Baby: "if you were going to describe the beat of belly dance songs, what'd you say?" "Hula hoopy?" Baby says. Baby and I go down to the Blue Angel show when it was still in that lap dance spot on Walker and had the girl in the Pig Mask who drank her pee. Girls turning tricks dragging the Suits through the audience. It was cute but the sound was oh so seriously bad. If I say that I worry a lot about the relationship of sounds and slutty girls I am saying that I am a serious man of culture with a grasp of twentieth century history.
Why are the Rolling Stones SuitCulture's FavoriteBand and does it have anything to do with that open tuning Keef uses? The one Kurt Cobain uses?
Why are Nazis scared of Banjos?
Can you tune your guitar for MaximumGirlHorniness? I mean what would a really wetsome tuning be? Why is the musicological analysis of this primary artistic concern so utterly lame?
When you watch Brazilian girls dance, and you're me, you just figure they shaking sort of random beautiful but you gonna learn oh this is an act of strict choreography, they counting all the time. They funny babies because then they figure they can teach you (me, that is) to bop like that and then they fuss at you: "Mr. Quin!" which was exactly the outrage I figured you was dancing to get so I have to laugh.
I must remember to check the Banjo In Brazil issue.
7. The methodological role of Hypernovels in the formulation of a New Musical Semiology... the Topless Semiology Lounge...
3:42:18 PM 
|
