sometime when i was up in dallas working for ianni's i read, in the library at smu, in new left review i think an essay on how frankenstein's monster and dracula could be read the poles of bougeois dread in the nineteenth century. the manufactured man alienated from nature and god and the princely blooded relic of a sanguinary (sp?) mystical feudalism.
mary shelley wasn't too much older than cleo the night the modern forms of those two great philosophical archetypes took shape in the converstion between her and those beautiful brilliant fucked up poet boys. whoa. double whoa.
this is the song i wrote for them towers falling down...
{chorus}
i'm frankenstein's monster turning on daddy/
i'm old dracula tired of always sucking./
n i'm schemeing out how it be that i shall survive/
when the electricity dies.
bridges fall down/
towers they do to./
if water stays wet /
i'll swim to you.
suits they have puffy hair/
suits they love to talk./
what a nation means is you can't drive/
as far as you can walk.
{chorus}
captain, oh captain, if you take
the b from blood/
i was born in the dirt/
and i can return/
into the mud.
t.v. girl, my t.v. girl/
if t.v. did not exist/
we could tune in byron/
read for us by quentin crisp.
{chorus}
11:26:02 AM
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