Updated: 1/10/2004; 4:50:26 PM.
Quin Withey's Radio Weblog
        

Monday, December 01, 2003

Notes from the Concordance to THE COMPLETE WORKES OF QUIN--entry 30 November 2003

from the text--

walk through union square last night

everything is beautiful, all the people are beautiful like they just

walked off the set of friends

the vibe is funky, and

prosperity has returned with perpetual war

a poster for wired tells me

that philip k. dick has ressurected.

i dare say (1)

(1)  The majority of this poem is self-explanatory.  The mention of philip k. dick's ressurection refers to a poster for and by Wired Magazine which announces this fact.

(2)  From the text--

(i'm ten and on the front steps of our caroline street house in nacogdoches when my daddy warns me that since our house has been the meeting place of local civil rights advocates it is possible we might get bombed and so he wants me to look out. (2a) that wouldn't have been klan, but what they called, as i remember, 'minute men'. birchers. insofar as you care to distinguish twixt the various sub-plots of rural fascism.) (2b)

Quin's father, John Frederick Withey, also marched in Civil Rights marches in Nacogdoches, Texas in the middle to late 1960s.  Twenty years later, in front of the Nacogdoches Public Library, a young African-American woman in her early twenties recognized him and embraced him.

(2b)  For those unacquainted with the Birchers Quin mentions, please see the brief description below, from The Reader's Companion to  American History. As a further note, we know that truckloads of men with various weapons [believed to be shotguns] arrived in Nacogdoches, Texas one night in 1970 as the schools were attempting to desegrate. We learned anecdotally that these men were John Birchers and or minutemen.  [We have declined to enter a link to Minutemen because the major sites regarding them appear to be their own, and we do not want to be referrers for these sites].  In the summer of 1986, Quin was approached by a young journalist who was founding an alternative newspaper in the Nacogdoches area. Quin chose to write about that evening in 1970, at which he had not been present, his family having already joined the Community mentioned in a previous note, and moved abroad.  Sherrif Roebuck agreed to be interviewed by him at Shepherd's diner.  The sherrif's primary statement to Quin in this interview was, "Boy, you want to go starting all this up again?"  By this, we believe that he meant that the African-Americans of the town might attempt to move out of their primary enclave, known as Shawnee Street.  We will not describe Shawnee Street, but encourage our readers to go and have a look. We also refer you to the African American Heritage Project, at: http://www.cets.sfasu.edu/aahp2/Pages/activity.htm.

The Reader's Companion to American History http://college.hmco.com/history/readerscomp/rcah/html/ah_047800_johnbirchsoc.htm

JOHN BIRCH SOCIETY

The John Birch Society, an organization of the radical Right, was established in Indianapolis in 1958 to combat what was perceived to be the infiltration of communism into American life. Its founder, Robert H. W. Welch, a Massachusetts businessman, named the society after a Baptist missionary who had been killed by Chinese Communists in 1945. Starting with only eleven members, the John Birch Society grew rapidly, drawing considerable support from rich conservatives; by the early 1960s it had an estimated annual income of $5 million and a membership of 60,000 to 100,000. John Birchers placed their principal emphasis on the extent to which communism had established control over the U.S. government; among those they accused of being "dedicated, conscious agents of the Communist conspiracy" were President Dwight D. Eisenhower, cia director Allen Dulles, and Chief Justice Earl Warren. The society has produced an extensive list of publications, offered cash prizes for college essays on topics like the impeachment of Warren, and maintained that the United States must become as conspiratorial as the communists in order to combat their subversion of American society.

The editor apologizes for this brief entry to the Concordance.  We will resume tomorrow.

 


10:17:03 PM    comment []

i cast tristan and lani guinier as bad girls in my luaazul cathouse...

in my bolo tie and beaded shirt i'll sing sheanendoah real plaintive...

tristan can read veblen aloud and we'll pipe in the sounds of waves

to get that mermaid effect... steel guitars...

we'll imagine a new jerusalem in our islands of brazil...
1:03:46 PM    comment []


spend yesterday looking at hymns in the jewish section of my 1942 army navy hymnal. there's a nice take on rock of ages.

watch: 'repo men, stealing for a living', the last bit of 'carnivale' (a show with a strange take on the dress and manners of protestantism), and tristan taormino in "real sex #31". (taormino? sp? aargh! anyway she's at pucker up dot com.)

an evening of lower east side t.v.:

(you were sitting next to a table of young goombas in from the burbs at katz when you ate that guilty pastrami. big fleshy boys with big piles of dead flesh in front of them, trumpeting their badnesses and misdemeanours like young moose.)

in my poor little empire of dr. bienke i had aimed for something like carnivale. i wanted better music though.

jazz, in a story i heard, i ain't gonna say it's true, (i don't know what true is anymore and i'm guessing to the extent you been reading much you don't neither), was the musical formulations of white boys trying not to be in houses full of bad girls. that's the story in the oxford companion of music 1937 which is a great book i'd recommend (the companion's author doesn't like the story very much).

truly i had proposed a visit with tristan to beth but i'll have to be anonymous now. i don't think you can sloppy second hbo righteously. we'll see.
12:24:06 PM    comment []


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