"Posters, photos large and small, and other mementos from his music career were tacked up on the walls of every room, along with a calendar portrait of Jesus. The living room walls were painted bright red, and after a half hour or so I noticed that the wallpaper was made of old newspapers. This last detail shocked me. How was it that a famous musician was living in a place like this? I suddenly found myself sitting in Mance Lipscomb's reality, not my own, and I realized that if I was going to write about his life, I would have to do it by leaving my prejudgements back in Austin and living in his world for however long it took me to come to know it."
Glen Alyn. "I Say Me For A Parable: The Oral Autobiography of Mance Lipscomb, Texas Bluesman." as told to and compiled by Glen Alyn. Da Capo Press. New York. this is a great book and da capo has been a great imprint.... so much more is available than when i was a kid and the blues and jazz literature sucked and was hard to come by.... not that the increase in the availability of knowlege seems in any way to positively help....
of the above quote however i will note that alyn is speaking of the summer of seventy three. bright red walls are sort of trendy in seventy three and what you want to bet i can put lipscomb in a room with a rauschenberg before then and likely in a room with rauschenberg himself?
scholars can be awful condescending towards old negros pretending they cannot glimmer conceptions of modernity and minimalism.
2:02:55 PM
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