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Sunday, February 13, 2005 |
...hillbilly skins
Yup, I can see this lying on the bar partially
crumpled and forgotten...cross platform marketing at its most
dangerous...
From Boing Boing...
Marlboro Lights iPod case. Xeni Jardin:
The
must-have trash accessory for those who suck down their MP3s in a
doublewide: a pack of cigarettes transformed into an iPod holder, now
for sale on eBay. Its creator says:"I'm a pretty heavy smoker so the
idea was perfect. It is not precisely engineered, but it holds the
player snug enough that it won't slip out, but not too tight that you
can't remove it... Two or more cigarettes hold the player so you can
listen and smoke when out and about."
Link (Thanks, Charles Moore)
9:59:08 PM
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...Bonzo's kids were there...
It seems unbelievable that now finally there is a Grammy for Zep...
The Guardian reports that there is a Grammy at last for rock legends. Grammy voters hand members of Led Zeppelin a lifetime achievement award ahead of the ceremony in Los Angeles.
9:53:26 PM
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...more grammy goodies
It's an odd thing about Green Day; they have
been accepted into the mainstream and yet haven't changed that much.
Good record, good performances, a little bit better behaved... 6 or 7
nods for a Grammy? Wow. Punchy single and the loudest drums yet on the
show and the only pyro...dig those dragons....
9:44:34 PM
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...post Grammy report
Another one is done, even if you're on the
west coast and the broadcast is just starting. It went much smoother
than the run through, which was a bit choppy. Staples is not the
easiest place to work and the ramp up and down with the gear was pretty
trashed before the show started.
I thought that it was a pretty interesting
production for TV, the five act opening and the pairings were a little
schmaltzy but better than usual. I'm watching the west coast feed right
now and it sounds and looks good. The Grammys needed this as they had
some bad technical moments last year. The set looks frickin' huge on
TV, a lot bigger than how it was in real life...typical.
The split stage with moving walls caused a lot
of gripes from the stage crew but all the transitions went pretty
smooth. Having an artist lounge downstage center in a hole was slick as
you could get the talent in and out without putting them in danger.
Melissa was awesome... she is poised for a big
comeback this year. Pinetop Perkins got a lifetime achievement award
tonight; I hope somebody got him a Sprite to go with his Old Overcoat...
U2 was neat, very white, the song is beautiful but
kinda subtle for an awards show....the world's biggest pedalboard was
in effect (for guitar snakes 11 patch changes in one song)...
The Southern Rock tribute was ok, mix so so, choice
of guests somewhat disjointed...neat to see Skynyrd on TV though...
8:35:43 PM
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...afternoon Grammy report
As it is with these live TV things, the run
through this morning was filled with shouting, fast moving risers and
things falling over. I am quite surprised to say that it looks like
it's going to be a very interesting show performance-wise. The big guns
are doing their thing (U2, Green Day, etc.) but the tribute spots and a
few other things stick out from the run through. The Melissa
Ethridge/Joss Stone tribute to Janis Joplin is great, Bonnie Raitt and
Billy Preston's segment is sublime and John Mayer is performing with
Pino Palladino and Steve Jordan... very nice.
It is as always a roadie convention extrordinare, so
many old friends that never get to see each other at the same time. If
we weren't so wrapped up in our work and they hadn't banned our
cameras, it would make an amazing picture.
It's time for a lunch break... more later as the
guitars are polished and the nerves jangle like Cyndi Lauper's
bracelets.
2:57:20 PM
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... something in common
I feel honored to have a piece of info that I posted at TSHNN
berated...I feel like I've arrived.... but being a fan of Billy
Connelly for so many years I had to pop in and let him know who it
was...it's as if someone had mistaken Sam Kinison for Bill Hicks....I
know they're both dead, but Hicks was the man...
2:14:14 PM
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© Copyright 2005 Aron Michalski.
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