More Songs About Buildings and Food. Salon has a tribute to Talking Heads' second album, "More Songs About Buildings and Food." I ripped that CD to MP3 the last time I was in Toronto (where all my music is, more or less) and so I put it on while I read this. The article's bang-on right about this album; it's brilliant. The album's juxtapositions can make you laugh. In "Warning Sign," Byrne poses a funny/pathetic/scary seduction that sounds like Arnold Horshack copping "Love Boat" come-ons. "Take it easy, baby, take it easy/ It's a natural thing and you have to relax/ I've got money now, I've got money now/ C'mon baby, C'mon baby!" He makes his move like a sweaty question mark. You can imagine the target of his desire backing toward the door thinking, "Oh ... my ... God."
While all that's going on, the music sounds as though it's being sucked into a jet engine. It's one of many Brian Eno moments. The intrepid producer and electronic-music pioneer, in his first collaboration with the Heads, blows an otherworldly breeze, playing with time and space, everything zooming backwards and forwards, coming together and flying apart. The partnership between Byrne and Eno which began here would continue through the Heads album "Remain in Light" as well as the Byrne-Eno side project "My Life in the Bush of Ghosts," the music sinking deeper and deeper into pure, pseudo-tribal rhythm. [bOing bOing]
Summer of '78 - and I was yet to get into the Heads. That would happen soon enough with "Remain In Light." By the way, in case anyone cares about the maturation of great artists, even a quick listen to Byrne's "Look Into The Eyeball" will provide deep groove satisfaction. His humor is still there too, only more subtle.
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