Hakim Bey speaks forth
From a disturbing interview with Hakim Bey of TAZ fame, in which he calls out for a Luddite
repsonse to the anarcho-capitalist development of telematic
technologies, primarily the Internet, and urges us to imagine and
propose new economic models, rather than consuming ourselves with
building plasticly enhanced virtual technotopias or taking it to the
streets.
There was a time when everything was so confused
and chaotic that it was easy to believe that this technology would be
an exception to all the other technologies, and instead of enslaving
us, it would liberate us. I never actually believed that, but I was
willing to talk to people who did. Now I’m not willing to talk to them
anymore. I have no interest in this dialogue. It’s finished. The
Internet revealed itself as the perfect mirror image of global capital.
It has no borders? Neither does global capital. Governments can’t
control it? Neither can they control global capital. Nor do they want
to. They’ve given up trying, and now they basically serve as the
mercenary armed forces for the corporate interstate—the 200 or 300
megacorporations that actually run the world. Fine. But let’s not call
this radical politics, and let’s not call this liberation, and let’s
not talk about cyberfeminism or virtual community. Basically, I’m a
Luddite. Certain technologies hurt the commonality, as they used to say
in the early 19th century. Any machinery that was hurtful to the
commonality, they took their sledgehammers out and tried to smash.
Direct action. That’s the Luddite critique—you do it with a
sledgehammer. What it means now to live as a Luddite seems to me to
involve a strict attention to what technologies one allows into one’s
life. |
We need no more symbolic acts of civil disobediance, no more delusions
of revolutionary art, says Bey. What we're now in need of, according to
Bey, is to take the sledgehammer and start breaking down the newly
erected castles of cybernetic alienation. I dunno, maybe he's got it,
can't really tell. Personally, there are times in space when my
experience of the digital condition is almost hyperspatial, yet
constained in many aspects, and it is then that i can't help but thinking about
debord's assertion that the spectacle integrates, but integrates as
separates.
4:57:03 PM
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