"Within this performative evolution memory is always held in suspense, stored in some unique place, perhaps in the manner de Kooning sees the history of art as "separate from all history, but connected." How such memory attaches to states of being will be in the phenomenal sphere of art where perception connects to the physical body--a new type of being that is opened as a horizon to include all distance, both without and within. Such a recognition describes the aim of theater which Grotowski poses like the intervention of Thomas who must overcome doubt by touching the essence of the intangible: "These investigations will be like a finger stuck in the wound of the spectator, who will see himself reflected in the mirror of the actor's actions.""(MEMORIES OF BEING: ORLAN'S THEATER OF THE SELF | David Moos)

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