In her autobiography, The Invisible Core, the potter Marguerite Wildenhain talked about how, every morning, she had to reinvent a world in which making art made sense. It's as if every morning presents what Eric Maisel calls "a meaning crisis." He talks about this in his book on creativity and depression, The Van Gogh Blues.
Some mornings this task of reinventing the world is easy. I wake to a world in which the sacred fire burns visibly in every tree. Other mornings, making art seems absurd, meaningless, futile. On those mornings, I need to reinvent my world.
I find that the way I spend my evenings, and with whom, often affects how easy or difficult it is to reinvent an artmakng world the next morning. May Sarton observed (I think in Journal of a Solitude) that it isn't necessarily other artists who provide the most compatible and art nourishing company. Trial and error seems to be the only way to find out what - and who - makes for the easiest morning the next day.
(I'll mention again that my book links to amazon.com are for convenience only. I don't have any affiliate arrangement with amazon and prefer to link to books there because of the customer reviews and excerpts often available. I shop as much at Barnes & Noble, and often look for used books at Bookfinder.)
10:33:55 PM
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