Invoking the ''we'' of some implicit audience of fellow ''cultural theorists,''
Douglas Rushkoff advises
that our myths and our Gods are refuted by scientific reality. AKMA hints that Mr. Rushkoff might be assuming an exaggerated pontifical unity among his readers on the science = truth score.
Before he bases too much on a singularly straightjacketed notion of what cultural theorists and even some real people think, Mr. Rushkoff might take a quick look at the collision of religious, scientific and artistic icons engineered at Iconoclash.
With some sensitivity to the complexity of the cultural moment, Bruno Latour, one of the exhibit's curators, remarks:
It is only because each of us, visitors, curators and readers, harbors such a different pattern of belief, rage, enthusiasm, admiration, diffidence, fascination, suspicion, and spite for each of the three types of images that we bring them to bear on one another. What interests us, is the even more complex pattern created by their interference.
The notion that science - like some commodified book idea du jour - has usurped theological truth, and now stands tall-as-W. in the saddle, telling us what to believe, as we sing nigger work songs and subside into wide-eyed, open-jawed Spielbergian awe-circa-1982, is rich. (Everybody knows ''we'' actually be singing I get a kick out of you.)
Incidentally, Mr. Rushkoff seems to think James Joyce is a Post-Modernist writer. Some corrective Joyce resources might be in order here. Thanks to Wood's Lot for Rushkoff and Latour.