Just over a year ago my friend Maura lost her beloved sister Anne, one of the Irish 9/11 victims in the Twin Towers. Maura wrote a moving commentary on her blog, Babblogue, last week. Everyone in the media -- and everyone of us who buys a book, watches a special, reads yet another 9/11 story, needs to use other people's sorrows to help them deal with their own -- should have to think about this:
There were cameras at the anniversary mass, and my parents were interviewed before it. I can't tell you how distracting it is to be sitting there, trying to deal with the memories, the pain and the sorrow, and to see a camera trained upon your face. Again, they're hoping for us to break down and cry, to give them the kind of images they can play on the TV during the 9 o'clock news.
Well, you know, my sister is not a soundbite. She's not a biography that can be summarised in a newspaper article, or for a book (which I believe we'll have the dubious "pleasure" of seeing). I object to my sister becoming "news", and in some ways I feel like she's become part of the public domain, and everyone is pawing over her grave, looking for the human-interest story.
Maura was understandably angry at seeing a picture of her mourning mother on the front page of the newspaper I work for, the Irish Times. No one asked her mother's permission to take or use that picture. In her blog entry, Maura raises some of the most central moral questions about reporting. I can assure her most good journalists at many points in their working life grapple with conflicting emotions about such issues. Pictures and stories allow us all, readers and viewers, to better understand, react to, perhaps change the world. But that isn't an answer for those on the other side of the lens or the reporter's scrutiny.
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Copyright 2003 Karlin Lillington
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